Adaptive reuse is the practice of repurposing existing structures or sites for new functions, retaining material and cultural residues while reconfiguring use. It counters demolition and replacement, foregrounding continuity, sustainability, and memory. As a design tool, it demands negotiation between preservation and transformation. Adaptive reuse treats the built environment not as static heritage but as a mutable resource for future inhabitation.
BOGL are the recipients of the 2025 LILA Office Award. They operate from offices in Copenhagen and Oslo with a steady focus on the shared grounds of urban life. Rather than seeking signature forms, the practice has built its reputation on attentiveness — to site conditions, to communities, to the long horizons of climate change, […]
Krater includes no landscape architects and follows no formal landscape architecture plan. Yet it is an intervention in landscape that stands as a provocative inquiry into the status of abandoned plots embedded within the urban fabric. The project poses fundamental questions: is a site truly ‘neglected’ if a thriving biotope has already taken hold? Could such a space, in its self-organized vitality, already constitute a form of an urban park? How to organize the social dimension? Krater unfolds as an expedition into landscape itself—an open-ended investigation in which fragmented architectural elements function as instruments of observation, experiment, and reflection. The site operates as a living laboratory, challenging conventional practices of open space production and the disciplinary boundaries of landscape architecture. It addresses relevant uncertainties the Anthropocene entails, engaging critically with issues of multi-species coexistence and the contested notion of environmental harmonization.
At a time when landscape architecture often seeks to simulate nature through aesthetic approximation or even mimicry, Krater seems oblivious to such representational impulses. Its proposition is radical in its restraint: rather than imposing form, it frames this ‘third landscape’ as a space of ecological processes, social encounter and experiment, revealing alternative logics of co-inhabitation, agency and design—logics that may become increasingly relevant as landscape architecture confronts its own ecological, ethical and epistemological limits.
– from the award statements
The jury recognized the imaginative adaptive reuse of a former wastewater infrastructure, from a discarded concrete object into a lively playscape that engages children in an unusual setting and encourages them to discover new means of play. It is precisely the abstract dimension of the playground, these unique specifics, that separate the playscape from strictly catalogue-based playgrounds and contribute to children’s emancipation and development. In doing so, it affirms play as a creative, cognitive, and social practice—contributing to children’s emancipation from rigid, predefined systems of interaction. The result is an outstanding playscape, both ecological due to adaptive reuse and socially fulfilling.
– from the award statements
Exploring the interplay between low-res design and the transience of landscapes, this essay foregrounds the notion of resolution, enquiring about a dynamic interaction with landscapes in flux.
Almost every park needs a playground area and children’s playgrounds are one of the toughest typologies to design. The equipment available is either ugly or beyond budget, especially in the public realm. Then the programme is repetitive — poles, slides, swings, climbing walls, sandpits. For the designer to cover the developmental needs of all ages […]
In this new series, we wish to highlight the value of models in the widest possible sense, from images to physical representations to diagrams … It’s about models, and modalities and modulations that formed them. It investigates the role of abstraction in representation, how all sorts of models serve as a communication device and also […]
A post-industrial park is typically a sexy landmark, easy to make a story of, photogenic, and a palimpsest in itself. It presents a victory of public use over the private and industrial by opening previously closed-off spaces. A post-industrial park offers some crucial topics of remediation, adaptive reuse, and social integration, among others. For a […]
HPO is an art and event-architecture group from Ferrara. Their work has been, among other venues, presented at Milan Design Week and 18. Venice Biennale.
In the interview, we discuss the marginal position, DIY, incomplete architecture and the importance of play.
Urban biodiversity? Yes, please! Nevertheless … … Due to the transitional phase of our understanding of nature in the light of the Anthropocene, there are still some important notions, contradictions and misunderstandings that need to be addressed. To do so, we will operate with terms like nature, ecology, biodiversity, landscape, and aesthetics, and we’ll focus […]
In this essay, Zaš Brezar writes about the role of urban roofs in our collective memory. Illustrating the meaning of roofs through a selection of cultural references from films and music. The article is a part of Living Roofs focus on Landezine that is going on in October and November 2022.
Arsenal Oasis is a unique project located in Tbilisi Georgia. It was designed for the Tbilisi Architecture Biennale by an urban design and research studio Ruderal. In this video, the designer Sarah Cowles explains the forces and circumstances that shaped the project. The LILA 2021 jury wrote: Arsenal Oasis is an experimental project that deals […]
From the jury statement: The project Objets Trouvés convinces with outstanding artistic quality and visible historical awareness. Moving the bunker from its ancestral place and letting it re-appear in a new one is both astonishing and effective. This blunt dislocation, which first reacts to infrastructural requirements and finally turns the bunker into a ready-made, creates a whole new quality of visual perception. It is in this aesthetic space of resonance, where contemporary infrastructure development ultimately becomes conceivable as a possible instalment of the European warfare history. Consequently, the actual traces of history are kept visible with a genuine purpose – although this required such an action as moving a bunker. As a bold and even radical gesture, the project inscribes itself in the infusible tension between past, present, and future on the one hand, and between absence and presence on the other. In doing so, it formulates a notable reference point for the contemporary discipline of landscape architecture as an artistically informed cultural practice.
Playground design: 2012architecten Recycled: windmill wings Construction: 2008 Location: Netherlands Photos: Allard van der Hoek, Jos de Krieger/2012Architecten Check out: Wikado video
