The “third landscape,” formulated by Gilles Clément, refers to neglected, marginal, or unmanaged spaces—roadside edges, fallow lands, infrastructural fringes—where biodiversity thrives. Unlike parks or reserves, these spaces are not curated but emerge as residues of abandonment or indifference. Clément frames the third landscape as a democratic reservoir of life, outside of planning and control. In landscape discourse, it challenges dominant aesthetics by valuing the spontaneous, the overlooked, and the residual. The third landscape embodies the ecological and political potential of the un-designed.
Growing up on a farm in Tyrol, surrounded by repetitions of natural processes to which rituals and traditions attune, Weinberger developed an understanding of the nature–culture relationship observed from the periphery.
Krater includes no landscape architects and follows no formal landscape architecture plan. Yet it is an intervention in landscape that stands as a provocative inquiry into the status of abandoned plots embedded within the urban fabric. The project poses fundamental questions: is a site truly ‘neglected’ if a thriving biotope has already taken hold? Could such a space, in its self-organized vitality, already constitute a form of an urban park? How to organize the social dimension? Krater unfolds as an expedition into landscape itself—an open-ended investigation in which fragmented architectural elements function as instruments of observation, experiment, and reflection. The site operates as a living laboratory, challenging conventional practices of open space production and the disciplinary boundaries of landscape architecture. It addresses relevant uncertainties the Anthropocene entails, engaging critically with issues of multi-species coexistence and the contested notion of environmental harmonization.
At a time when landscape architecture often seeks to simulate nature through aesthetic approximation or even mimicry, Krater seems oblivious to such representational impulses. Its proposition is radical in its restraint: rather than imposing form, it frames this ‘third landscape’ as a space of ecological processes, social encounter and experiment, revealing alternative logics of co-inhabitation, agency and design—logics that may become increasingly relevant as landscape architecture confronts its own ecological, ethical and epistemological limits.
Exploring the interplay between low-res design and the transience of landscapes, this essay foregrounds the notion of resolution, enquiring about a dynamic interaction with landscapes in flux.
BASE is a France-based studio known for its out-of-the-box thinking and unexpected design choices, often introducing challenges that can be overcome through play. Encountering an obstacle in a public space—one that invites engagement and risk-taking—creates a tension that can lead to moments of joyful liberation. A key aspect of BASE’s approach is putting trust in […]
Dušan Ogrin (1929-2019) was the pioneer of Slovenian landscape architecture. In 1972, he founded the Landscape Architecture programme at the University of Ljubljana. His seminal work The World Heritage of Gardens was published in 1993, so it was not too far-fetched to dedicate a book in his memory to the topic of gardens. The editors […]
When we speak of Nature in cities, the question we want to stress is, is nature in cities natural or in fact an artefact? When we speak of natural processes, they of course take place but apart from spontaneous nature, left to random succession, emerging in spaces that Gilles Clément calls the third landscapes, there […]
We are thrilled to share with you the interview with LILA 2022 Honour Award winner Gilles Clément. The interview was conducted in Paris in November 2022 by Zaš Brezar and Joost Emmerik. The editors wrote in the award statement: Gilles Clément (1943) is a French landscape architect or better ‘paysagiste’, having a more garden design-related […]
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