Located in the vibrant heart of Brighton’s waterfront, Edward Street Quarter is a mixed-use development that seamlessly integrates residential and business functions within a carefully curated urban environment. At the core of the project lies a tree-lined pedestrian walkway, sheltered from traffic, where residents, office workers, and visitors can stroll, pause, and interact. This internal promenade is more than just a circulation space — it acts as a social connector and a moment of calm within the city’s dynamic rhythm.
To furnish these spaces, the project incorporates Strat modular benches, a design solution that harmonises with the cultural and architectural identity of Brighton. Strat reflects the city’s historical character while introducing a contemporary aesthetic through its materiality and form. The benches combine warm beige-toned architectural concrete with tropical wood seating surfaces, striking a balance between durability, comfort, and visual warmth.
The Strat collection is defined by its versatility and strong architectural presence. Its modular system allows for varied compositions, adapting to different urban contexts while maintaining a consistent design language. The zigzag faceted front of the benches introduces a dynamic visual rhythm, creating subtle plays of light and shadow that animate the surrounding space throughout the day.
Crafted from moulded concrete, Strat benches emphasise the sculptural qualities of the material, resulting in a robust yet refined presence. Some models can be enhanced with certified tropical wood seats and armrests, offering an added layer of comfort and tactile warmth for users.
In Edward Street Quarter, the careful placement of Strat benches contributes to the creation of a welcoming public realm, supporting informal gatherings, quiet moments, and the overall livability of the development. The project exemplifies how thoughtful design can elevate urban spaces, combining functionality, aesthetic coherence, and respect for local heritage.
Edited by Durbanis
Photography by Ben G. Waller