The Picturesque arose in 18th-century England as an aesthetic category between the beautiful and the sublime, codified through painting, garden design, and later public parks. Its irregular forms, curated vistas, and harmonious compositions promised a softened vision of nature, naturalizing hierarchy while aestheticizing conquest in colonial landscapes. The legacy survives in 19th-century park design and is still present today in mainstream landscape architecture. The persistent appeal of harmony obscures deeper ecological and political tensions: the picturesque reduces landscape to visual properties, staging an image of equilibrium while concealing conflict, extraction, and crisis. In the Anthropocene, this aesthetic regime risks becoming anachronistic—an outdated comfort that masks urgency by aestheticizing harmony.
In the U.S., lawns cover nearly 2 percent of the land surface and, as researcher Cristina Milesi revealed using satellite data, “could be considered the single largest irrigated crop in America”—their total area is three times larger than that of irrigated cornfields. The infatuation with lawns runs so deep that, in some cases, failing to […]
Exploring the interplay between low-res design and the transience of landscapes, this essay foregrounds the notion of resolution, enquiring about a dynamic interaction with landscapes in flux.
… what is the stage of AI in and outside the profession and discipline of landscape architecture? Many firms are now incorporating Generative AI into their workflow. Firms such as SWA have been able to fund research fellows exploring generative AI. Anecdotally, I have learned that other firms have similar internal initiatives. One trend is using LoRA (Low-Rank Adaptation of Large Language Models), a lightweight training technique that can “fine-tune” one’s Stable Diffusion models to generate images in a certain style.
As we confront the growing ecological crisis, it becomes increasingly difficult to argue that harmonious aesthetics, designed primarily for pleasure and ease, are always the most effective mode of expression. Perhaps there is space to question whether ecological efforts demand a different aesthetic attitude, one less fixated on traditional notions of balance and spatial conformity and more open to dissensus and confrontation.
The book by the legendary Danish landscape architect, Carl Theodor Sørensen (1893-1979), originally published in 1966, is for the first time published in English, with a foreword by Joost Emmerik and an Introduction by Lodewijk Wiegersma. Published by Blawdruk Publishers and Sonja Poll, the 39 Unusual Gardens for an Ordinary House is a landmark book […]
Urban biodiversity? Yes, please! Nevertheless … … Due to the transitional phase of our understanding of nature in the light of the Anthropocene, there are still some important notions, contradictions and misunderstandings that need to be addressed. To do so, we will operate with terms like nature, ecology, biodiversity, landscape, and aesthetics, and we’ll focus […]
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