Michel Foucault introduced “heterotopia” to describe real places that function as counter-sites—spaces that mirror, invert, or unsettle the order of society. Examples range from cemeteries to gardens, ships to museums, each operating under distinct rules of time and access. Heterotopias are not utopias but disruptions of the familiar, exposing the multiplicity of spatial orders. In design and theory, they frame space as layered, contradictory, and charged with symbolic surplus. To invoke heterotopia is to recognize the city as a constellation of othered sites within the everyday.
Exploring the interplay between low-res design and the transience of landscapes, this essay foregrounds the notion of resolution, enquiring about a dynamic interaction with landscapes in flux.
Dušan Ogrin (1929-2019) was the pioneer of Slovenian landscape architecture. In 1972, he founded the Landscape Architecture programme at the University of Ljubljana. His seminal work The World Heritage of Gardens was published in 1993, so it was not too far-fetched to dedicate a book in his memory to the topic of gardens. The editors […]
The Harvard Graduate School of Design organized a two-day conference titled Forest Futures: Will the Forest Save Us All? It is open to the public and available via streaming. Planetary survival in the Anthropocene crucially depends on the stewardship of resilient forest ecosystems worldwide—at the scales of wilderness, planted forests, metropolitan tracts, and the urban […]
We continue with French philosopher Michel Foucault. In his 1967 speech to an architecture audience, he introduced the concept of “heterotopia”. It was published in 1984 as an essay, Des Espaces Autres (Of Other Spaces), and it deals with the nature of space and its relation to society. Heterotopias are unique spatial entities that challenge conventional notions of space and compel reflection on the social, cultural, and ideological matters of our world.
In this essay, Zaš Brezar writes about the role of urban roofs in our collective memory. Illustrating the meaning of roofs through a selection of cultural references from films and music. The article is a part of Living Roofs focus on Landezine that is going on in October and November 2022.
Photographs have been taken at the gardens of Versailles, on February 2015. They accompany the Slovenian translation of the tiny but marvellous book Portret srečnega človeka – André le Nôtre 1613–1700 (Portrait d’un home heureux – André le Nôtre 1613–1700), translated from French by Zoja Skušek, *cf., 2016, written by a renown French author Érik Orsenna, who, among other things, for five years presided L’ École nationale supérieure du paysage at Versailles.
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